vinceconaway: (Holland Head Shot)
[personal profile] vinceconaway
I have more of a routine than most expect. Here in Washington, most weekdays, I catch a 7:20 bus to the ferry (or an 8:05 if I'm sleepy), walk to Pike Place Market and put my marker in line, perform two hour-long shows between 11 and 3, and get home around 4. 

In Europe I perform Thursday-Sunday roughly 10-noon and again 5-7pm, choosing either a morning or evening set on Tuesday and Wednesday. At renaissance festivals I push hard all weekend and never get out of bed on Monday, doing back-end support Tuesday-Thursday. 

Where I am determines what I'm doing, but it's not as unstructured a life as it might seem. 

Date: 2012-02-14 06:39 pm (UTC)
From: [identity profile] horsetraveller.livejournal.com
At renaissance festivals, what are your hours? Are you performing for hours on end? And what do you mean by "back-end support"? I'm trying to guess and coming up blank.

Date: 2012-02-14 06:44 pm (UTC)
From: [identity profile] vconaway.livejournal.com
My typical faire schedule involves alternating 45 minute sets with 15 minute breaks from, typically, 10-6 (sometimes 7, 5 in Louisiana because it gets dark early in December).

"Back-end" is anything from writing and rehearsing new music to booking and recording. Not to mention life's chores like groceries, laundry, post office, etc.

Date: 2012-02-15 01:00 am (UTC)
From: [identity profile] horsetraveller.livejournal.com
I've always wondered. That makes a lot of sense. Are the ren faires only open on weekends?

Date: 2012-02-15 01:02 am (UTC)
From: [identity profile] vconaway.livejournal.com
Most are, except for holidays (Labour Day, Armistice/Memorial Day/Good Friday) and the occasional weekday for school programs. A few have tried to go all week long, but most have ended badly.

Date: 2012-02-20 04:01 pm (UTC)
From: [identity profile] vconaway.livejournal.com
Most of them, yes, and holidays (though Good Friday is a quiet day, it's usually a festival one). The few festivals that have tried heavier schedules have not done well for doing so (though many have successful school programs that are run on many weekdays).

Date: 2012-02-20 04:20 pm (UTC)
From: [identity profile] horsetraveller.livejournal.com
I see you re-writing your answer. :)
Was surprised to get the notification but yes, gmail had it right. There is a new comment.

Date: 2012-02-20 04:33 pm (UTC)
From: [identity profile] vconaway.livejournal.com
I was cleaning up my inbox this morning and had forgotten I wrote one :-)

Date: 2012-02-14 11:57 pm (UTC)
From: [identity profile] redsash.livejournal.com
I don't know Washington. How busy is the market to make it worth your time?

I've been experimenting with my Dead Pirate Roger act, but it requires a lot of space...

~r

Date: 2012-02-15 12:58 am (UTC)
From: [identity profile] vconaway.livejournal.com
It doesn't have much room for circle shows, more of a small music groups venue. What kind of an act do you do?

Date: 2012-02-15 02:05 am (UTC)
From: [identity profile] redsash.livejournal.com
I guess I was asking what kind of traffic you look for to make a location tenable.

I dress as a skeletal pirate and challenge people to realistic duels with foam swords :-) Ideally takes about 30' of grassy space.

~r

Date: 2012-02-20 03:59 pm (UTC)
From: [identity profile] vconaway.livejournal.com
Traffic is important but not everything. A good ambiance with low traffic (matching tempo to a fountain on Piazza Navona comes to mind) can work really well, and too much foot traffic sweeps people past and doesn't allow listening. I normally thread between the two extremes; I like to have someone pass every ten seconds or so as a minimum.

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